Fujifilm X-E2: The digital rangefinder without rangefinder.

Working with the Fujifilm X-30 compact camera has been so gratifying as a creative experience that I have impulsively decided to buy the Fujifilm X-E2/XF 18-55mm Camera & Lens kit.

Fujifilm X-E2 / XF 18-55mm F2.8-4.0 OIS

Yes it is a bigger camera (especially with the XF 18-55mm lens) and heavier too. But many aspects justify the difference between the X-E2 and the X-30. The general performances of the X-E2 are really enhanced by using a bigger APS-C image captor. Its viewfinder is bigger although the automatic vertical information rotation of the X-30 is missing (this option has been added to the Fujifilm X-E2 with firmware update no.4). The direct aperture and shutter controls are reproducing the past experience of the traditional cameras using film.

The handling is good but could be perfectible for the handgrip and the position of certain feature controls.  The menu interface is easily comprehensible but it has to be learned with practice. For myself I have chosen to reprogram one Fn button to regain control of the viewfinder option, which doesn't offer the same ease of use as the X-30. The playback option should be configured in a way to allow direct viewing over the LCD screen in disregard of the picture taking viewing option selected.

The Fujifilm X-E2 can be a quick camera for spontaneous photography for most of the situations. The AF functionality is usually reliable except for some specific situations that are demanding a manual intervention or a pre-focus process. The AF/Manual focusing option will be welcome in the next firmware upgrade of the camera (Dec.18th 2014).

On-camera flash photography has always been a challenge for a more natural rendering of the exposure. In using the X-E2 with the inboard flash has given me the impression that this unit is a bit underpowered even for short portrait distance. To counteract I choose to add an external flash unit (Fujifilm EF-X20) that allow more pleasant rendering.

At that point the combination of the X-E2 with the XF 18-55mm lens and the EF-X20 flash really recall the days of the rangefinder era.

 

The picture quality issued from the Fujifilm X-E2 is excellent both in color and black & white. This X-E2 is definitively a creative camera very funny to explore and bring along you on every circumstances. The low profile of the camera design (and the black version of the body) help to stay modest during the photo session.

The last December 2014 Firmware Upgrade was an excellent improvement of the camera functionalities especially regarding the final manual focus correction option and the camera remote control in using a tablet. Another firmware upgrade is now (February 2016) that offers the same internal performance at the level of the new X-E2S version and very similar to the X-T10 model.

Little Add-On: I have tried the Joby wrist strap with both my Fujifilm X-30 and X-E2 and found them very confortable and non-intrusive materiel proper to hand carries your camera. Since I am using a small Lowepro Passport gadget bag already I don’t need a full shoulder strap.  The flashy lime color version is helping me to identify my X-E2 from the X-30.

Here are some preliminary results of my initial itineration with the Fujifilm X-E2:

Product Link: Fujifilm X-E2 Link

Fujifilm X-30: the "cool" camera

Fujifilm X-30 at rest

Close friends who happen to know me a bit more don’t really understand the continuous flow of different models of cameras that is part of my way of life. In my view cameras are photographic tools (including in-camera devices) and I am still looking for the ideal one in terms of esthetical beauty, better camera handling and finest picture quality. All those qualities may not be reached soon in my humble opinion.

What about the Fujifilm X-30 that is the third version of the high-end compact Fujifilm X-two digits series initiated by the X-10 and X20 previous models. It is definitively a very fun camera. It works nicely. It performs decently for its image captor format. The handling is good with a bit of adaptation needed to interact with the controls and options. But the big improvement is the use of an electronic viewfinder instead of the previous imprecise optical viewfinder of the X-10 and X-20. Now the new EVF give you the complete story in term of picture rendering and the entire picture taking info’s.  In my sense a viewfinder is an essential option in traditional compact photography (including D-SLR as they suppose to be compact cameras…).

So let the pictures speak as you can review in this small essay:

Product Link: Fujifilm X-30 Link

Montreal Old-Port in winter

During the winter season the Montreal Old-Port is almost no active. It is a very quiet period with no much visitors. Here are some view pick up time to time:

Photo-imaging with Nikon 1 30-110mm f3.5-5.6

Mini -Intro
Last March (2014) I have decided to "flush again" my entire photo taking system which is part of a periodical therapy for my mind, my back and my wallet! So I came back with the idea to choose for the second time to purchase a Nikon 1 model, the V2. My first experience with the V1 has given interesting result but I was not really enthusiasm with the handling of the camera.
The Nikon 1 V2 remind me with its odd body form, the design of my old and beloved Nikon F3 HP, an ancient 35mm film camera that have the pleasure to work professionally some years ago (!). But today any digital camera is giving us instant gratifying result.
Of the two lenses composing my present kit, I must admit that I prefer the 30-110mm which is a beautiful lens especially for near distance capturing subjects. Here is some examples.

The perfect wide angle of view: Olympus M.Zuiko ED 12mm F2 & ED 12-50mm F3.5-6.3 lenses

We ca argue again and again on what is the perfect "wide" angle of view but many of us will agree that 12mm (24mm equivalent in 35mm film format) is one of the most appealing focal length to work with.

Olympus M.Zuiko ED 12mm F2.0

Olympus M.Zuiko ED 12-50mm F3.5-6.3

These two fine Olympus Zuiko Lenses are very good choice to start experimenting the 12mm focal length .







The12mm is certainly an true urban lens that allows photograph to be close from his subject. It is also a real contextual lens in term of the extra angle of view available. It may be the widest lens that you can easily apprehend the final result without doing testing during your photo shot.

With such a wide angle we are able to control the impact of your foreground and background subjects by creating a more dynamic composition. The notion of space arrangement is giving a true 3D perspective to the observer.

Because wide angle lenses are "decompressing" the final image using them is demanding a more careful attention to its composition. It also add some kind of disproportion of near subject opposed to far context. That could be use as a creative tool.

Wide angle lens are by essence very close action lenses compared to their telephoto brothers. But it doesn't prevent to do action imagery if you are able to position yourself to do so.

Although many people are recommending wide  angle lenses for architectural work the use of the M.12mm may be tricky considering the fact that this model of lens doesn't have any provision for tilt and shift correction. Yes it can be use successfully to exaggerate perspective for instance but it cannot pretend to present objectively to work of the designer.

Playing (i.e. working) with the M.12mm is very interesting because it will ask the photograph to learn to anticipate a different perspective and the results will represent a different view of our surrounding world.

Short B&W essay with the Olympus OM-D E-M5

Black and white photography has been the classical way of doing light imaging right from the start of this new pictorial "art". And I have followed the same path since my modest debut with a Kodak Brownie 620 film camera.

The best definition of the mastering this art has been described, analyzed and practiced by Ansel Adams as he have extendedly explain in his book trilogy: the Camera, the Film and the Print.

I will not pretend approaching Ansel Adams artistic ability but I think that if you are doing good black and white pictures it can improve deeply your entire photographic skill even in color.

Here are some recent works with the Olympus OM-D E-M5. All pictures files are originally done in black and white.

Snowfall over the bridge

Minette face in B&W

Cross lightning over the balcony

Black and white photo painting of the river in winter