M. Zuiko Digital ED 75mm f1.8: The Perfect Portraiter
Some would
say a true cult lens. I certainly agree that the M.75mmF1.8 is an exception on
its own. Despite its high price point, it worth every penny of it.
The lens by
itself is beautifully design and crafted with the classic metal feeling and the
very smooth manual focus damping. It is an heavy lens by M4/3 standards
especially compared to the « polymer » products.
The results are outstanding. I
meanly use this M.75mmF1.8 as a portrait (face) lens. I like the creamy effect
of the out focused area surrounding the subject.
You have to pay attention to
the weight of the lens by holding it the classical way using your left arm as a
palm receptor. This position allow you to manually correct the focus with the
OM-D E-M5 S-AF/MF autofocus mode.
I am not really fond of the big lens hood
proposed except maybe with some strong punctual front light situations.
My only
recommendation is to protect the front optical element of the lens with a first
class neutral filter.
Yes the M.75mm F1.8 is a beauty by itself but it is also
a competent tool that generate outstanding results.
M. Zuiko
Digital ED 45mm f1.8: The “Normal” everyday telephoto
The M.45mm
F1.8 was the first prime lens that I have bought to fit with my EP-3 camera two
years ago. And it was precisely the overall performance of this lens that has
convinced me to invest further in the M4/3 system.
The M.45mm F1.8 remind me
closely the pleasure of using my ex-90mm F2.8 Tele-Elmarit some twenty years
ago as a all-around short telephoto lens. For that matter I have chosen to add
the lens hood that just to remind me the first purpose of the lens (telephoto).
Medium portrait results are outstanding with moderate creamy background. But
the lens can be used as a long "normal" lens for everyday picture
taking. It compress moderately the foreground and the background subjects for
interesting landscape or "urbanscape".
Because of its plastic
construction the lens is very light and as I already said the M.45mm is very
small.
For the selling price point don't prevent yourself to bring one in
your...pocket since you don't need to have a gadget bag to do so!
M.Zuiko 12mm f2.0 (Silver): The real contextual wide angle
The others
(re: Canon, Nikon) never deliver it in their APS-C and DX formats. Olympus does
it right from the start. The M.12mmF2.0 is the 35mm format equivalent of the
famous 24mm which is a must lens for many serious photographer.
It is not an
easy lens to use for many because you cannot anticipate it as a M.17mm or
M.45mm. It has to be experimented first but it can deliver results not possible
with the more classical focal length lenses.
It is a true urban lens and a real
contextual contender. It works perfectly for interior uses.
And results are in
fact sharper than any zoom lenses but not as a star level of the M.75mmF1.8
which is a very exceptional lens of its own.
The M.12mmF2.0 has a first class
design and quality of built. I use it most of the time without the lens hood
which is too large to simply put the lens in my pocket....
Price-point for the
M.12mmF2.0 is positioned at a level you can expect for an exception lens.
M.Zuiko
14-42mm f3.5-5.6 II R: All-around urban lens at mini cost
This lens
was part of the package I have bought with my EP-3 camera in 2011. With time I
have learn to use the M.14-42mm as an urban lens because of its compact size
and overall performances.
Picture results were good but it cannot pretend to be
at the same levels as the prime lenses. The 14mm wide setting is sometime too
narrow especially for interior uses or contextual picturing.
I recommend you to
add the lens hood that give you a more easy way to handhold the M.14-42mm
during your picture taking.
Considering the price-point of the lens it is a
good starting all-around option for a Pen series model.
M.Zuiko
ED 14-150mm f4.0-5.6 (Black): The one zoom solution for the outdoor traveller
The
M.14-150mm is the M4/3 equivalent of the 28-300mm in 35mm format lens. It is
the kind of flexibility you are looking for a one zoom package when you are
travelling especially in outdoor country.
The M.14-150mm is a compromised
design using low maximum aperture. My best results have been obtained at its
widest setting (re: 14mm) in daylight. I have never experimented vignetting results
even when using the lens hood. It may be have been autocorrected by the camera
post-treatment software as many modern cameras do now.
The handling is good
since the lens is light and have a moderate size. The so-call « plastic »
(polymer) construction is well made considering the price-point of the
lens.
Color rendition when using it with the EP-3 was respectful of the real
scenery.
Since the low maximum aperture of the M.14-150mm, I agree with other
reviewers to use the electronic viewfinder (VF-2/3) with the Pen series to get
a better stabilized combination.
I recommend the M.14-150mm for a one-zoom
option in particular for outdoor traveller in open space.
M.Zuiko MSC ED M.12-50mm f3.5-6.3: The all-weather traveller solution for the OM-D
E-M5
The
M.12-50mm was part of my OM-D E-M5 combo and I was a bit sceptical regarding
the optical performance of the model.
The first good news was the weather
resistance ability of the M.12-50mm which is a strong point for traveller and
outside photographer. The second one is the focal widest setting of 12mm (24mm
equivalent in 35mm format).
The third one: the M.12-50mm is in fact a good
performer especially for outside daylight picturing.
Some less desirable points:
A much too easy zoom option setting between manual or power (electrical) zoom.
The lens size is a bit long if you combine it with the small Pen camera series
or even the OM-Ds. The low maximum aperture of the M.12-50mm can prevent you to
use it with low light action subject.
But as an all-around traveller lens it
stays as a good choice
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