Charcoal Views taken with and of the charcoal-silver Fujifilm X-T30!

Almost all camera manufacturers like time to time to offer "special edition" of some of their models that is more often a cosmetic different version of the usual ones. In the past there has been a few exceptional built camera model redoes with more noble material like titanium that have been presented into their natural color apparency or with a special coated paint like bla

We have seen also bright color versions that easier to realize with plastic (Polycarbonate) camera body but market success of them have been limited that most of these "colorful" and distracting models appear to have a very short commercial life. But the "titanium-like" trend has survived until this day where we are still be able to purchase such this photographer fantasy.

I have already experienced the joy to briefly have a Fujifilm Pro-2 camera model in its "graphite" version well matched by a similar presentation (graphite) of the Fujinon XF 23mm F2 WR lens. It was so magnificent that wearing cotton white gloves to hold the camera seemed better appropriate to preserve this stellar camera body finish. 

Considering the popularity of the Fujifilm X-T30 in its traditional liveries (black or silver), it was a bit surprising to discover a "charcoal-silver" version of the X-T30 (No matching "charcoal-silver" lens model has been produced this time!).

It is always a matter of personal taste, but I must confess that I have been seduced by the "charcoal" Fujifilm X-T30 at a point of buying one and frankly it has an elegant looking despite the none matching lens (choosing black lens livery could be a better esthetic choice in that case). The command dials and push function buttons marking are a bit less contrasty compared to the black version in certain strong light situations because the reflection of the livery prevent an easy reading of them. The front and back command dials are better esthetically integrated to the camera body. Oddly the camera appears to be smaller than its black version for example. The overall camera body cosmetic appears to be more sophisticated and justified.

For the rest, all the Fujifilm X-T30 versions (black, silver, charcoal-silver) are operating the same way and will perform accordingly. But you may be more inclined to bring with you the "charcoal" Fuji X-T30 more often for using it and admire its special camera body finish!

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Personal Notes regarding the Fujifilm X-T30

Since the introduction of the Fujifilm X-T10 that has been followed by the competent Fujifilm X-T20, this compact Fuji X-mount series has been my preferred choice for an "all-around" camera to carry everywhere, everyday. In fact, the Fujifilm X-T30 is so compact that Fuji designers seem to had to push down a little bit the "joy stick" in the back of the camera body to leave more space for a better thumb rest and a more secure position.

The Fujifilm X-T30 is an "analog operational approach" camera with many direct control dial or push button functionalities. All the usual parameters such as shutter speed and aperture setting can be done without looking specifically at the electronic viewfinder (EVF)/Live view back screen. Moreover this camera model can be configure differently if you want to do so. For the older Fuji X-mount model users, there is no real adaptation to perform before a serious first utilisation. 

Because of its pre-setting ability, the Fujifilm X-T30 is a perfect "grab and go" camera that will offer t the photographer a speedier control without exploring the setting through a viewfinder-like necessity.

 

Fujifilm X-S10: an action Fuji-X model out of the tradition

Controversy is a human sport that have enlightened many moments of its eventful history. Photo gear evolution is certainly proving it. With the digitalization of the picture taking process, photo equipment manufacturers have applied an array of different configuration for their camera models but at the end we can categorize them in two classes of devices: the fully electronic oriented ones with controls, dials and multi- functions buttons partly or entirely reconfigurable and the ones that privilege a more ancient analogically presentation with the basic photographic parameters such as lens aperture, shutter speeds or ISO sensibility setting.

The Fujifilm color (and B&W) science.
Since many years Fujifilm has been rightfully renowned for its skill in producing excellent traditional analog-film products and then a very interesting digital color palettes that are replicating the film ones. This may be one of the major reasons why people are choosing to work with Fujifilm devices and staid very loyal to the Japanese manufacturer. For one, I have found on many occasions that the Fujifilm rendering correspond to my own taste without too many post-edited interventions.

The importance of the picture rendering may have been seen as trivial, but many photographers have a tendency to forget it in profit of others ergo-material factors to justify their specific choices of photo equipment. It is also true to say that it is a matter of personal taste and involvement especially for the post treatment of the picture file.

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From X-T10 to X-S10.
We can draw certain analogies between the introduction of the original Fuji X-T10 model and this new X-S10. The two models are simpler version of the more sophisticated Fuji models. Handling of them can be set to a fully "Auto" mode to escape any concern about setting on the spot the camera. The spartan design of the two models is also a basic characteristic that many photographers will appreciate. The two major differences between the X-T10/20/30 and the XS10 are the ergonomics and the way the command interface is working. If you compare the internal abilities of the X-T30 (Third itineration of the original X-T10) with the X-S10, you will deduct that they perform on the equal level except for the presence of the in-camera sensor stabilization system (IBIS) on the latter.

Continuity through the Fujifilm X-series is rightly preserved (except for the new battery pack present on the X-T4 model) by the interchangeability of the accessories such as the battery packs (NP-W126S), the external flash models, the memory cards (SD) and obviously the lens mount. *

The IBIS necessity.

Although some photographers disregard the virtue on an IBIS feature on many modern digital camera models, the advantage of a stabilization system in photography cannot be denied. In short it reduces significantly the blur induced by involuntary movements of the photographer. Many Fujinon XF prime lenses don't have an optical image stabilization (OIS) optionality and the camera IBIS solve perfectly that absence.

The experience with the professionally oriented Fujifilm X-H1 model have clearly demonstrate the strong appeal to get a camera sensor stabilization feature. Fuji offer has been extended to the newest X-T4 and X-S10 models and we can forecast easily that it will be the case for more upcoming ones (with the exception of the new X-E4). At the question if you are really needed to use a camera model with IBIS, there is no definite answer. For the occasional or more productive videographer, it can be a winning factor. For still photographers, we cannot really say because it depends how and under which situations you are taking pictures. But for a frequent user in low light context, IBIS can be a remarkable help.

Moreover, on that stabilization debate is the choice of lenses selected by the photographer. Some special zoom models are already dotted with an optical image stabilization system (OIS) that will suit the usual photo projects. At this point, you have to analyze your needs and the entire photo equipment (camera + lenses) abilities.

About the "analog" control dials.
Knowing what your basic setting are (ISO, shutter speed, aperture) without looking inside your viewfinder has been always a great advantage. To do this on the Fujifilm X-S10 will require to look at your back screen providing it has been correctly positioning for viewing and activated which is not a real optimal solution. This why an LCD control screen à la X-H1 model would has been appreciated in that case. The omitting on the informative written marks on the control dials will certainly be an annoyance for the users of the previous Fujifilm X-Mount camera models. Accordingly, many reviewers have classified the Fujifilm X-S10 as "middle of the range" camera model opposed to the more pro-oriented ones such as the past X-H1 and the actual X-T4.

Pre-setting a camera and its lens has been a photographer reflex for many decades and in particular into more active or action photographic situations. As a matter of efficiency, the photo taker doesn't have to bring the camera in its viewing position to perform some basic adjustments of important parameters like shutter speed, lens aperture or even sensor sensibility (ISO). Unless consulting an activated back viewing screen properly configured and positioned, the Fujifilm X-S10 cannot compete with the X-T4 model for example but you must remember that a last moment adjustment can be done just before the picture will be taking with the help of the viewfinder info or with the Live view back screen info.

The hand grip vs the more compact camera requirement.
Here may be the most controversial factor for some who want the smallest package possible for their APS-C camera and Fujifilm have succeeded to offer various models that were fulfilling that specific requirement, especially with their X-E model series and, already, a new version (X-E4) has been introduced by the Fujifilm. So, the pressure to get a downsized design for the Fujifilm X-S10 could have been less present that is use to be in the recent past.

The "new" X-S10 hand grip is certainly an implicit homage to many MFT compact models from Olympus and Panasonic with the location of the two major control dials in front and back of the X-S10. The grip serves as the battery pack and memory card compartment. As a right-handed photographer myself, the camera prehension is very natural as for the location of the shutter release button surrounded by the easy on/off switch.

Articulated (back) viewing screen
Getting a fully articulated (side-hinged) back screen on a Fujifilm X-series camera model has been also a repetitive demand from many Fuji users. We have seen in the recent past many others inventive alternative solutions, but it seems that Fujifilm has finally agreed to follow this market trend. Another big advantage to that articulated screen is the possibility to completely reverse it when you don't want to use it and, in doing so, it offers a better screen surface protection.

XF and XC Fujinon lenses.
One of the strong points of the Fujifilm X-series is the extended range of different lenses offered by the manufacturer. As we speak today, there are more than thirty different optics available that are part of the active list of Fujinon lenses. Although there are notorious replications and older designs, it will be dishonest to pretend that the Fujifilm X- mount offer isn't a real advantage. And most of them are above average optically quality performers.

Over the years Fujifilm have introduced some XC Fujinon lenses for the benefit of a lower selling price mainly to fit with their entry-level camera models. XC optics have no aperture ring provision and are made of lighter material such as polycarbonate but optically seem to be on the same level than their counterpart of the XF series. Again, the absence of the aperture control ring can be annoying for the preset photographer adepts. For others, it won't make a big difference since they can rely on the control dial of the Fujifilm X-S10 model.

A new departure for the Fujifilm X-Mount series.
Can the new Fujifilm X-S10 model be the sign of a new trend of the products offered by them? That is the big question regarding the future of the many different lines of photo devices developed over the years by Fujifilm headquarters. But some answers should be easier to anticipate. The X-T series have already a new model (X-T4) with IBIS. If Fuji decide to market a X-H1 successor, that feature which was already present on the X-H1 will certainly be repeated. Fujifilm have finally announced the new X-E4 (No IBIS) which is confirming the pursuit of the X-E series. So, it is obvious that Fujifilm will maintain most of its line-up at least for the next few years. However, on a long run, things could be much more uncertain. If the X-S series is a good market success, it could indicate to Fujifilm a new road to follow especially for the basic and simpler models of the future. Less pseudo-analogic features mean more economical products to manufacture and better interchangeability of the internal pieces used to produce them. This cannot be ignored in a future equation to salvage a camera manufacturer.

Built quality and size proportion.

Fujifilm X-S10 is a larger (in size) camera compare to the X-T30/20/10 models for example. Most of this can be attributed to its bigger hand grip. This difference will be more manifest when you couple the X-S10 model with a more compact lens such as many of the prime fix focal F2/2.8 lenses. The same remark can be applied for a combination camera body/lens with the small XC 15-45mm standard zoom lens. But its larger dimensions improve noticeably the secure handling feeling in particular when you are choosing bigger sized lenses. At this point the compact factor is less a priority to the photographer.

The built quality of the Fujifilm X-S10 body is announced as par as the other Fuji X-series models and certainly at least of the same level as the X-T30/20/10 series.

Same electronic viewfinder again.
One point that is definitively less impressive from the Fujifilm X-S10 is the replication of the electronic viewfinder (EVF) specifications of the previous X-T30/20 models. The comparison with the EVF found on the X-T4 and X-H1 can be frustrating for a mirrorless camera user that is always anticipate improvement from that specific part from the more evolutive and recent models. I am not saying that the X-S10 viewfinder is not a competent tool but as for the image sensor is a fundamental part of a digital camera, its EVF represent the evaluating looking tool in the field. We could say the same about the LCD back screen monitor except for its ability to be fully articulated.

Please take note that the X-S10 video applications and performances are not reviewed in this post.

Personal user notes about the Fujifilm X-S10

This is not by chance that the different Fujifilm X-mount camera models that I have been used for the recent years are the most productive ones. This relation with the photographic creative motivation has started right from the initial Fujifilm image science of the film-analog era. Yes, we always appreciate a good ergonomic design alongside an easy comprehensive configuring interface. But the end picture results are paramount to most photographers that privilege photography over ... technology!

Utilitarian camera designs have always attracted me for the simplicity of using them without the confusion of too much control dials and pushbuttons that are difficult to memorize (without saying to activate them accidentally). The Fujifilm X-S10 L-shaped boxy body design evoke inevitably the minimalism right from the Bauhaus perspective. Simple, effective, durable. And it is a compact camera, don't be confused by its virtual aspect presented over the Web. On hand, it is a smaller package than you might have anticipated (the same remark can be said regarding the Fuji X-T30 model).

A good step in the right direction has been done by Fujifilm with the introduction of the X-H1 model in 2018. It was a first model part of the Fujifilm X-mount series that have an In-Body-Image(sensor)-Stabilization provision (IBIS) and the system have shown very promising performances. However, the bulky size of the X-H1 camera body wasn’t really appreciated by the compact camera lovers. Two years later (2020), Fujifilm extended its offer with the X-S10 after the X-T4 model entering. Clearly, in-camera-image-stabilization is becoming a standard feature for Fujifilm X-mount models (with the exception of the new X-E4).

Even if many reviewers like to surname the Fujifilm X-S10 as a « mini » X-H1, this is not really the case **. The X-S10 is not classified as a weather resistant camera and its use ability in term of durability or intensity cannot qualified as a professional photo device although it can surely deliver picture results of the same level or even superior of the pro X-H1 which is issued from a previous technically generation.

The electronic viewfinder (EVF) of the Fujifilm X-S10 is similar of the one seen on the X-T30 and other Fuji X-mount models with a moderate eye relief which is not perfect for eyeglass wearers (like me!). All-important information in regard of the Fujifilm configuration is clearly illustrated on the EVF and are rotating to be adapted to vertical or horizontal photo shooting. The fully articulated LCD screen is handy for many different photo taking contexts and can be completely reverse if not in use (A nice feature that prevent the frenetic habit to review each picture taken and allow a better photo taking concentration).

Superior JPEG picture results.
If you are mainly a JPEG picture file user, the Fujifilm camera models should be very high on your considering list of camera model options. I cannot emphasize more the big advantage of selecting Fuji film simulations in particular if you have been film-analog educated in photography. Moreover, those simulations reflect all the Fujifilm past experiences during the analog days which were widely renowned all over the photographic world.

If you are establishing a short comparison between the APS-C and the Micro Four Third (MFT) image sensor formats, the first ones are producing outstanding JPEGs that you can easily manage more severe cropping without losing too much overall picture quality. Despite the fact that the Fujinon APS-C lenses are generally heavier than their MFT counterparts, the final results are greatly compensating the added efforts (which stay far less from the so-call "full frame" format camera models).

You have to remember that quality doesn't replace creativity, but it gives you a more confident approach in producing your different photographic works. Will the Fujifilm APS-C image sensor performances be sufficient for your expectations? That is a very personal question based on your own specific needs.

Excellent optic Fujinon X-mount offer.
Fujifilm X-mount series lenses is a complete optical system that is offering many types of prime and zoom lenses. It is by far the most complete entirely dedicated APS-C format lens system, no contest. And most of these optics are high level performers. The choice is yours to select a lens that will suit your special need or your personal vision.

Some may ask what would be a good starting prime or zoom lens for the Fujifilm X-S10? There is no universal answer good for everybody at the same time. But, taking my example, I would have a tendency to prefer a prime lens like the XF 23mm F2 WR or the XF 27mm F2.8 WR or, for a zoom, the XF 18-55mm F2.8-4 OIS (more compact than the XF 16-80mm that better suit the larger X-T4 for example) but all these options are very personal and are based on my own photographic vision.

Another suggestion is to look for a more weight equilibrated camera body-lens combination. Often the big pro-optics are designed with the larger pro camera bodies in mind and coupling them to more compact models may insecure the holding of your complete photo device. Some very big telephoto Fujinon prime or zoom lenses*** are equipped with a tripod accessory ring (on the lens barrel) that prevent a stressing abuse of the tripod mount on the camera body and offer a much more balance of the camera body-lens, a combination which facilitate the follow-up of the main subject.

To briefly conclude...

The good and the bad, the love or the hate, the perfect or the unperfect, are eternal debate over the Web planet regarding any kind of devices designed for a human use. Designers and manufacturers are making choices often that are abstracting any exterior advice or general contentment. Is the Fujifilm X-S10 a reliable, competent and ergonomic camera model for photographers? Without any doubt although preferences cannot be the same for all. Fujifilm offers an array of different camera models that should to a certain extend respond to most photo enthusiasm and professional needs. But they have also their own design signature as for other manufacturer camera lines.

As an early Fujifilm X-mount user, I was surprised by the new departure of the X-S10 in terms of interface compare to all their previous models. Flexibility and competence are still there but rearranged in a different way (P-S-A-M mode dial) and visual off-camera presetting**** have disappear which can be annoying for many intuitive photographers. So, I have been a bit puzzled to comprehend if it is a good or bad evolution.

The presence of the IBIS is, for its part, a definitive improvement over the X-T30 model to name one. Stabilization is a key feature for the outgoing photographer. Eventually it is clear that IBIS will be implanted to almost camera models. The Fuji X-T4 (and previous X-H1) has summarized the two approaches (IBIS + classic pre-set presentation) in a larger camera body package but hope can be expected for a new X-T40 (with IBIS) that will offer the same in a smaller camera body. All that said and anticipated, the Fujifilm X-S10 is the only Fuji X-mount compact of its kind into the Fujifilm line-up and it can already fulfill many photographers demands.

                                                                      
* Missing parts? For the more recent X-mount recent models, Fujifilm have decided to not furnish an external battery charger (BC-W126S) which is very annoying for multi-battery users and it is creating a kind of discrimination between new and old owners of Fuji X-mount cameras.

** No optional vertical power grip is available. It is not particularly surprising but it would have been nice considering the body design of the Fujifilm X-S10.

*** XF40-150mm F2.8 OIS; XF100-400mm F4.5-5.6 OIS; XF200mm F2 OIS

**** You can recover at least the f-stop ring operability on the lens if you are using the mode A.

Fujinon XC 35mm F2: the standard photographer

No Xcsss into your wallet!

Most of the todays compact photographic system will offer you a kind of "standard" optic that have an angle of view of approximative 45 degrees. It used to be called a "normal" lens may be because it was the lens model firstly chosen the most during the 35mm film analog era. We won't discuss the virtue to select a specific angle of view or lens model as your primary optic., it is up to everyone to choose a tool that will correspond the most for their needs.

Many "standard" focal fixes lenses are compact unit and are doted of a fairly large maximum aperture going from the economical F2 up to the very expensive F1.2. Again, the choice is yours depending how much money you want to spend, what is the main purpose of the optic and ... how deeply you fall in love with the lens model! For myself, I have always appreciated to work with small (compact) unit that are easier to bring with you, to hold and more discrete in front of your subject (less intimidating).

The Fujinon XC 35mm F2 corresponds to all these criteria with a selling price point that represent a bit of sanity in this photo equipment market that seems to have abolished the better economical quality products to concentrate on the very expensive niche ones. With a weight of 130g and a dimension of 5,9 X 4,7cm, this standard fix focal lens will combine nicely with a camera body model such as the X-E, X-A and XT/2-3digits Fuji X-series. The lens construction seems to be mainly polycarbonate (plastic), even for its lens mount plate which can be a bit of concern for the people who are changing their lenses in use every ten minutes. No aperture ring is present like its cousin pricier alternative (XF 35mm F2 R WR) and there is no weather resistant (WR) provision. So, a special care is recommended if you intend to use it in adverse conditions. The filter accessory size is 43mm and the Fujinon XC 35mm F2 is able to be coupled with the same dedicated lens hood of its XF35mm F2 R WR cousin (A JCC version is available at a sensitively lower price point).

Now, what we can do with such a "normal" lens? In fact, about everything if you agree to move and position yourself accordingly. In interior areas, the lens is missing a greater angle of view but will force you to concentrate on details rather than full context although, you can create a composite panoramic view to partly compensate that limitation. As for face portrait, the XC 35mm F2 will ask you to later crop your subject in post-processing thus preventing facial distortion. For all the rest, this Fujinon XC 35mm F2 can be a winner most of the time. It is a fast lens at F2 compare to the standard zoom counterpart but there is no optical stabilization option provision and your shutter speed selected as for the subject movement can be critical. But if you are doing follow action photography, its larger angle of view compares to telephotos can be a real advantage.

Some photographers have progressed from standard or normal lenses to other different focal length models. Others simply stick on the "normal" ones mainly may be because it is a good predictable lens in term of angle of view and perspective. With time and experience, some photographers will gradually transit from the normal angle of view, 45 degrees, for a more extreme one such as wide angle (more inclusive) or telephoto (more discriminate) lenses.

The Fujinon XC35mm F2 lens autofocusing and manual focusing (by wire) mechanism is efficient and accurate although you can sense an obvious "breathing" phenomena when you are switching between different subject distances. You can decently work into close focusing subject distances, the manufacturer minimum is set at 35cm. The manual focusing ring is large but doesn't offer much of a helping resistance to set the focus point. You can feel that the lens got a light construction design although its component apparent quality seems fine. No aperture ring is present on the lens, as for all Fujinon XC series optics, and we have to rely in using a camera command dial to do so. The XC35mm F2 seems to deal fairly well with flare in front light source situations.

With a maximum aperture of F2, the Fujinon XC 35mm have a moderate versatility in term of deep of field and can permit you to select a higher shutter speed which is appropriate for a lens model without any optical stabilization system provision. You may have to pay more attention to that specific setting (shutter speed) to prevent blur induced by the photographer, so. nothing is perfect!

As I have mentioned in past posts, a standard lens can be a very versatile optic providing you accept to move yourself a bit more compare to in using a zoom lens. The big advantage of that is the fact that you spend more time to check the perspective of your subject and refine its final composition. It can be a decisive factor for getting more powerful picture results. In view of that, this may be explained why many used to call it a "school" optic.

Because the Fujinon XC35mm F2 is a cheap lens in term of its low-price level, it allows us to select it as a first optic to combine with a new camera. It prevents to spend too much money for a lens that the frequent use could be abandoned later. Moreover, as an emergency spare lens, it can be part of a lighter photo bag or even a multi-use messenger satchel.

If you are looking for a first lens with stretch versatility, the Fujinon XC35mm F2 could be a wise choice. My only hope is that Fujifilm could eventually produce a similar XC series model in the wide angle (16-18mm) and the telephoto (50-70mm) ranges.

(First published in June 2020, Edited in July 2021)

The Fujinon XF50mm F2 R WR: the discreet urban telephoto.

If you like compact cameras, surely you have a certain fascination with all the accompanying lenses that are small in size. Several models of Fujinon lenses from the X series meet this criterion. They are discreet but remain eminently mastered optics. We can cite the Fujinon XF16mm F2.8 R, XF23mm F2 R, 35mm F2 R and finally, the subject of this article, the XF 50mm F2 R.

The Fujinon XF50mm F2 R WR is a small telephoto lens that displays a modest 1.5X magnification compared to our normal vision. This means that its visual field remains quite large, around 32 degrees, and can be assimilated to an almost standard optic. Its minimum focus distance of 39cm is not particularly spectacular but may be suitable for close-up photography of normal-sized subjects. Like many Fujinon X-series lenses, the XF50mm F2 R WR features a marked aperture adjustment ring and a well-sized focus ring. Finally, a small lens hood is provided with the lens and the diameter of the filter-accessory front ring is 46mm.

Despite its mini-telephoto status, the XF50mm F2 R WR shows surprising versatility in terms of subjects. Of course, like any lens with a fixed focal length, you will need to show greater mobility to ensure your final framing. However, its selectivity increases (compared to its similar XF16mm, XF23mm and XF35mm) and facilitates the emphasis of your main subject from its context.

The Fujinon XF50mm F2 R WR is very suitable for the use of a more compact Fujifilm body of the X-M and X-E and X-T10 / 20/30 series. Even with a larger camera body, you will find the pleasure of handling a lighter and less prominent camera-lens combination.

Regarding its optical performance, the Fujinon XF50mm F2 R WR meets very well the requirements of the most recent sensors used in models with a definition of 24- or 26-megapixels image sensors. The color rendering of the lens fits perfectly with those of the other X series lenses, the distinction being made mainly on the compression properties specific to a small telephoto lens.

Fujifilm categorizes the XF50mm F2 R WR as an attractive lens especially for portraiture and low-light shooting. It is indeed almost a common place for this type of lenses, but I consider this classification a little too limiting. And for some photographers, I remain convinced that the XF50mm F2 R WR could be their preferred optical companion. This phenomenon is reminiscent of the Leica Summicron-M 75mm F2 APO in 24X36mm analog-film format although they are using two very different manufacturing technologies.

The Fujinon XF50mm F2 R WR is another small optical gem in Fujifilm's X series lens lineup. So why go without it because it is not only affordable in terms of the selling price but above all it is a fun and first-rate creative tool.

(First french version published in April 2019)

Life in 16mm (w/Fujinon XF16mm F2.8 R WR lens)

Seeing life with a more wide angle of view is not rare thing but for many it may be a photographic higher challenge compare to the more selective view of a telephoto lens. Yes there is already a lot of landscape (nature or urban) aficionados around the world that are producing striking pictures so, why limit the use of a wide angle lens to that specialized purpose?

I have been a long time an adept of wide angle lens that offer an angle of view of 84 degree or even more. The 84 degree image perspective can be translate in different formats by the 12mm focal length into MFT (Micro Four Third) or by a 16mm in APS-C or by a 24mm lens in 24 X 36mm sensor size. All those optics are usually original (not stretched from the so-call normal ones) design with their own technical specifications. There are less available and usually more expensive compare to other lenses that have a more narrowed angle of view.

In APS-C image sensor format (17 X 24mm approx.), the Fujifilm line-up is well represented by a couple of 16mm models and even an interesting 14mm lens. The latest Fujinon XF16mm F2.8 R WR has captivated my attention by its compactness and its weather resistant characteristic. As for many Fujinon WR F2 lens models (23mm, 35mm, 50mm),  the 16mmF2.8 is a natively less intimidating optic because of its small size. Combine with a compact APS-C camera, you can do spontanious photography and you can easely carry the camera-lens combination all day around.

The "spacious" lens

Telephoto lenses are renown for their compression effect between the foreground and the background surrounding the main subject. Wide-angle lenses have just the opposite effect by "decompressing" the subject and allowing a virtual increase of the perceived space between all the elements composing the picture that will be register. So this is not really how you actually seing the image with your naked eyes but in term of angle of view it represent more your total pictural perception of the scene.

This is particularly true when you are tempting to embrase "larger than life" subject such as landscapes, urban-scapes or interior-scapes. It is true also for larger subject taken in short distances such as groups of objects or of people. Because of this larger view emphasis, we have to be careful of the impact of all the elements included in the final picture. Working with a wide angle lens require a very special attention of our image composition. It is like doing a painting fresque each time n particular when your subject is rich in several details. Or if the subject is more plain, we have to pay attention of the graphical arrangement that will be choosen.

The Fujinon XF 16mm F2.8 R WR is a prime lens that have got its own signature. It is not a previsible optic that doesn't need to be really mastered before using it successfully. Many photographers outside their landscape needs will avoid using wider angle lenses. It is a pity because the wide lenses have the virtue of their compactness and the ability of using it much closer to the main subject. But a wide angle lens will be less forgiving if you dont care about your level position for example because tilting the lens is provoking a rapid shift of the horizontal and vertical direction lines. To help us, the Fujifilm X-mount camera models (as for many others maker digital camera models) have incorporated an optional electronic level that will appears into our viewfinder or our viewing back screen.

The deep of field critical element

The importance of deep of field (DoF) optical effect is a constant subject of debates over the "photo" web. Some are praying to get the optimal good quality DoF in order to realize panoramic photography. Others just want to narrow it for the portrait purpose and be sure to "artistically" blur the foreground and the background (mainly). So what is happening when you are using the Fujinon XF 16mm F2.8 R WR lens. As many wide angle optics you have the sensation of an extended deep of field which in fact it is not really the case. For a specific focus (distance) point and aperture selected, the DoF will work the same way for the distance range whatsoever the lens focal length you have chosen.

So knowing those facts, the wide angle lenses seem to give you more DoF may be because of the illusion of seing smaller many elements composing your picture especially in the background area.

Physical attributes of the Fujinon XF 16mm F2.8 R WR

By definition the Fujinon XF 16mm F2.8 R WR is a short lens. Short in term of focal lenght but also physically short in size and lightweight. The aperture ring is located the standard Fuji X-mount way with click 1/3 stop and an "A" (for automatic diaphragm ajustement) which is located at the end of the f/stop scale  but without any security lock button. The thin focusing ring is at the front but still manageable. A plastic dedicated lens hood is furnished with the lens which is always appreciated. Overall built finition follow the higher Fujifilm standards and the lens is proclaimed weather resistant.

Close-up with a 16mm?

Will we prevent ourselves to do close-subject photography with a wide angle optic? Many may pretend this is the case considering the particular perspective rendering of this type of lenses. In a sens it is a pity to not experimenting the very particular way of seing that offers the use of a wide angle lens. I wont say that the Fujinon Xf 16mm F2.8 R WR lens is a very intuitive optic to operate in the very short distance from your subject but the results can be surprisedly intriguing and artistic. For example the apparent extended deep of field (DoF) will allow you to include in focus surrounding (graphics) elements that can enhance your main subject.

In Brief

The Fujinon XF 16mm F2.8 R WR lens can be rightly seen as a competent urban optic but that said, that must not prevent ourselves to use it in many other photographic exterior and interior situations. Its compactness will allow you to bring it with discretion and efficiency. More you will experiment the 16mm, more you will appreciate its original perspective by creating less previsible pictures. At this price point and considering its construction and optical quality, you should fully enjoy it.

(First published in November 2019, Revised in July 2021)

X-T10, X-T20 ... and now the Fujifilm X-T30!

"Can't stop this thing we started!" (dixit Bryan Adams)

I have been testing Fujifilm X-T/two digits models since the beginning of the series. And I remember my skepticism when the Fujifilm Canadian representatives of the time have presented me the first mock-up of the X-T10. But my mind gradually been transformed to a better opinion when I  have really started to work with the Fujifilm X-T10 camera model. And simply because the X-T/2digits are compact, competent and reliable cameras that deliver excellent picture results.

The Fujifilm X-T30 offers essentially the same camera body configuration compare to the preceded ones X-T10, X-T20 although the replacement of the previous D-Pad by a joystick of the back side of the camera requires a certain user's adaptation. For the rest, similarities with the X-T10 or X-T20 are including the use of the same battery packs, external flashes, optional hand grip and accessories and, accordingly, the same X-mount lens system. Fujifilm have not incorporated an internal camera body image stabilization system (reserved for the newest X-S10 model). This can be partially compensated by selecting Fuji X-mount lenses that have already an optical image stabilization (IOS) functionality.

Many changes done on the newest Fujifilm X-T30 are less apparent but can be decisive regarding the video use of the model but as usual, since I am not a videographer, this small review will voluntary not mentioning these X-T30 abilities. I have no doubt that others internet camera reviewers will give all that interesting inputs about the video capacities of the Fujifilm X-T30.

With its 26MP image sensor, the Fujifilm will equal the same picture quality standard as its big brothers, the X-T3 and X-T4 models. The complete film simulation selection is available on the X-T30 as for the advanced optional picture effects. You can choose to set a specific ISO sensor sensibility or let the camera do it (with the possibility to configure its ISO upper limit and its minimum shutter speed bias). The autofocus system has been also upgraded to be more reactive for action situations or spontaneous picture taking moments.

For the rest, you can easily refer to my longer review on the Fujifilm X-T20 camera model which was a classical on its own. The new joystick that is replacing the older D-Pad is operating almost in the same manner it already does on the Fujifilm X-E3 model. The viewfinder and the back-tilting viewing screen are performing with the same definition level, so no surprise there or major upgrading.

Angular body design
Oppose to others design tendency, the Fujifilm X-T30 camera body present a somewhat angular shape that may rebut some people looking for a more comfortable rounded one. The front grip of the X-T30 is minimalist although it can be increased by adding an optional (and costly!) supplemental hand grip. But despite its first look impression, the Fujifilm X-T30 is real compact camera with a good (one hand) handling except may be if you couple it with a larger size or a heavier lens. In that case the optional hand grip will surely help and secure the prehension of the camera/lens combination.

Control dials and push function buttons can be managed with confidence, but their location may ask you some kind of manual adaptation. The on/off switch is surrounding the shutter release button on which a traditional shutter release cable can be screwed in place. The signalization marking of the shutter speed and the drive setting on their respective dials are very explicit by themselves as for the AUTO activating switch.

There is no usual MODE dial on this Fujifilm X-T30 as the camera will automatically switch on aperture priority when you are selecting a specific aperture value on the lens and the same logic will occur when you are choosing a particular shutter speed (shutter speed priority). In the case you are manually setting both the aperture and the shutter speed, the Fujifilm X-T30 will configure itself into the fully manual exposure metering mode with indications of over or under exposure. The usual focus mode selector is available in front of the Fujifilm X-T30 camera body. So, all the possibilities are available concerning the degree of manually controlling the parameters of the X-T30 and that is including the exposure sensibility (through multifunction back or front control dials or via quick (Q) menu). However the Q pushbutton is by far too easily triggered by involuntary pressure of your holding thumb.

The back side of the X-T30 has less push buttons of the previous models (X-T10, X-T20) with the presence of a new joystick. The Fujifilm X-T30 is a very versatile camera and it is almost impossible not to find a way to configure it for every different picture taking situation. The possibilities of the X-T30 should exceed the needs for most photographers (including myself!).

The electronic viewfinder (EVF) is clean, well definite and adjust its information presentation to horizontal and vertical framing, a nice Fujifilm feature. The tilting viewing back-screen can work perfectly into waist-level or tripod photo taking requirement as for "over the crowd" viewing contexts. The informative data are complete, and presentation can be customized.

The battery/memory card access is located into the bottom of the camera which is not a perfect solution for the SD card access. You may also have noticed the tripod screw socket is not centered with the lens mount which is not an optimal solution. A small retractable flash unit is incorporated into the Fujifilm X-T30 camera body and can be assimilated as a "fill-in" or as an emergency flash. There is a hot shot socket with dedicated contacts for an optional external (Fuji compatible) electronic flash unit.

The "Preset" advantage (a vintage way to photograph!)
Having the possibility to preset your basic parameters without looking to your viewfinder or your Live view back screen such as in selecting your shutter speed or your lens aperture can be very handy for photographers that want to keep their fully attention to not only their main subject but also to the context surrounding it. This is particularly true during a photo reportage. As an ex-photo-reporter, I can testify that presetting your camera can save your working day and ... your butt! Today the technological automation advantage must not let you forget the importance to select specific parameters i.e. shutter speed or lens aperture for example) to get a decent picture.

The Fujifilm X-T30 has maintained the traditional control dials for shutter speed and exposure correction (but yes, the ISO analog selector is absent although you can use a multifunctional control dial in front or back of the camera to do so). So, the transition from older analog-film cameras is fairly easy and the reverse is also true especially in regard for the increase of interest for traditional film still photography.

Live Experiences with the X-T30
I have frequently travelled during my modest life and during all these years, I have developed a special attraction for more compact cameras of any kind because of their easiest in bringing them and their obvious discrete presence. As an interchangeable lens camera (ILC) the Fujifilm X-T30 is remarkable compact size photo device. Couple with smaller lenses it permits you to be less intrusive facing different subjects and allow you to realize more spontaneous pictures. In that sense the Fujifilm X-T30 model replicate the good experiences I have with the previous Fujifilm X-T20 and X-T10 models.

If you are looking for a good picture taking companion that is not proclaiming your presence among your surroundings, the Fujifilm X-T30 could be a logic choice. It is not a heavy and big sized photographic device and couple with a more compact lens it could be a very productive and creative photo option. Although nothing is really perfect and may need a certain learning curve, the results you can obtain with the X-T30 may fulfill and more your photographic goals.

As we are facing the new social challenges generated by the actual sanitary Mondial situation with the Covid-19 limitations, it is paramount to be able to continue documenting our surrounding work as a present testimony of our world. Future generations have to understand the present challenges. I can only emphasize the photographer responsibility to record and preserve these special times.

I can only hope that Fujifilm will preserve the X-T/2 digits series heritage with further similar models. Not that I want to depreciate the X-S series models, but it remains part of the very original Fujifilm heritage to be still offering models with more analog interface as it was with the X-T1 and X-T10 first models.