Suppose you love compactness and portability but you want a pro level camera model that can withstand an intensive use even under adverse conditions, what would be the more sensitive choice today? The answer is simple: the Olympus OM-D E-M1 Mark II. This model is part of an entire eco-system of different optics and accessories that will fulfill almost every specific photo tasks that any photographers "on the run" will ask for.
The Olympus pro range of products is now including two current version of the E-M1 which are the E-M1 Mark II and the E-M1X. The last one and newest model is integrating permanently the vertical power grip compare to the optionality of the one offered for the Mark II previous model. But the two cameras share the same MFT 20MP sensor and most of the function abilities although the E-M1X take advantage of some latest technical novelties or upgrades.
At the time of the outcome of the Olympus OM-D E-M1 Mark II, some reviewers have questioned its large size and its higher price tag. But as time past this perception is changing at a fast rate and more and more the size dimension of the Mark II appears now more as an average pro camera model.
|The late Nikon F4S: A modern "Pro" |
design back in 1988 of the film era.
You can add the optional (vertical) power holder grip HLD-9 that will double the power autonomy of the OM-D E-M1 Mark II and give you a better vertical prehension of the camera for portrait framing type shooting. The Olympus HLD-9 keeps you access to all the essential control dials and functions of the camera. With larger and bigger lenses it can help you to get a better balance and a more secure way of handling the combo. Lastly the Olympus HLD-9 let you manage a three battery pack rotation (one into the camera, one into the grip and one spear) that extend your power autonomy during longer assignment.
If you like to adjust your focus point manually, the OM-D E-M1 Mark II electronic viewfinder (EVF) will help you in that task beautifully with its clarity and its definition finesse. Couple with one of the Olympus Pro series lenses and their Clutch Manual Focus mechanism, the combination is a winner. "Defocus" creative experiments are a delight to do with this model.
The left thumb cavity (located on the bottom right side of it) to facilitate the opening of the reverse LCD screen is a real special ergonomic touch. I discovered it simply by touch intuition but it became an instant reflex if I want review a picture without reversing permanently the LCD screen (Open out then folding it!). By the way the massive right thumb grip rest (on the upper right edge of the back of the canera body) is simply very practical and secure. In all the body molding configuration of the Olympus OM-D E-M1 Mark II reflect that a deep care has been done for a design and its manufacturing that cover the ergonomic needs of a (pro) photographer.
Getting the OM-D E-M1 Mark II alive (On) is fast and accurate. You can stay pro-active and produce spontaneous imagery at will without bothering long delay of awakening from the camera. The EVF eye detection is efficient even if you are wearing glasses. You will have a good sense of your picture exposure and be able to apply exposure correction factor on the spot be roughly evaluate its effect through the EVF.
The shutter release button is very smooth and the OM-D E-M1 Mark II is a very discrete camera considering the sound level of it. It is perfectly suitable for shooting situations that require almost silence presence from the photographer. You can also operate the camera with the touch screen functionalities which can be practical for more static subjects (reproduction, macro. portraits, etc). The exposure and focus settings can be memorized by pressing with your thumb the appropriate push buttons rightly located on the upper right side of the back of the camera body. The same easiness of use can be said about most of the control dials and push buttons of the OM-D E-M1 Mark II although you have to get use of the Olympus way of actuating the camera (the famous classical On/Off lever).
You wont be deceived by the overwhelming availability to customize the Olympus OM-D E-M1 Mark II to all your specific photographic needs. Many of us will simply scratch a fraction of its whole potential as it is the case for several digital camera today models.
For still photography the autofocus system is fast and reliable. Follow-up action photography with greater subjects can be done in confidence for the focus tracking. As I have said in previous posts to properly photograph"on-pick" moving subjects may ask you a certain amount of preparation on your part. Exposure and focus preset are still a good way for doing this kind of task.
For flash aid, the Olympus OM-D E-M1 Mark II rely on external unit either on-camera mount or completely none-solidaire devices(a small emergency flash unit FL-LM3 is furnished with the camera model). Connectivity can be done through infrared or radio communication or even by using a traditional but obsolete PC cord. TTL flash option has been part of the Olympus system since the introduction of the analog OM-2 series and so the expertise and reliability are firmly established. Some Olympus flash units (FL-900R, FL-700R WR) are protected from adverse weather conditions and can be used under usually impractical flash photo contexts.
Black and White Photography
The love to produce black and white pictures has been partly revived with the introduction of the electronic viewfinders that are allowing us to appreciate on place (and also with the LCD viewing screen) the B&W picture results. No exception for the OM-D E-M1 Mark II that is offering you the Monochrome option with some more grainy variations (Art filters). In all the quality of the B&W image outputs is a strong asset of the Mark II.
Art Filters are creative!
This is one of the most intriguing feature included into the Olympus OM-D E-M1 Mark II capabilities (as for other Olympus models). There are a great number of these image art bias with variations depending which you are selecting. I gradually discovered some of them (Key Line, Partial Color, Soft Focus, Dramatic Tone, Sepia, etc) and began to use them occasionally with success. Each of these filters is proposing a different palette of colors or tonal effects alongside with specific alterations of the picture rendering. After the initial experimentation, you became able to predict their different bias in different photographic taking situations.
We have to remember that over the history of photography, past and present picture taking and registering techniques had and still have particular bias that are interpreting the subject. You can compare the Art filters option as a modern digital way to do the same today but with a far more versatility and easiest to produce it.
The Keystone compensation functionality is another fine in-camera image post-process that allow vertical and horizontal line corrections as we do optically with specialized tilt-and shift lenses. This application can generate pictures for architectural and still-life purposes that withstand the exigences of humain interpretation of the subject (subjective linear mind auto-corrections). The effect of the Keystone compensation can be controlled directly on the camera LCD screen or into the electronic viewfinder (EVF). On an average image magnification scale (X5-X7) its output quality impact seems to be very minimalist.
The more you will play with the Olympus OM-D E-M1 Mark II, the more you will discover its flexibility to withstand many different shooting situations. Many interesting techniques and in-board functionalities will expand your creativity and offer you better opportunities to try something different.
On a personal note, I love to work with the Olympus OM-D E-M1 Mark II because it is a pro "compact" camera that you can rely on in (almost) every circonstances. If you couple it with an Olympus M.Zuiko Pro lens, you will obtain a perfect combination of quality of construction and image output. As an independent (freelance) or a self-entrepreneur photographer, the Olympus system can be a winning solution. What is the decisive factor for choosing the Olympus OM-D E-M1Mark II as a professional camera model? In many ways it can be resume to its compact portability (enhanced by by the superb Olympus pro lens series). The complete Olympus pro eco-system is perfectly suiting that particular task to be light, versatile, creative and highly competent in photography.
Some additional notes about the MFT system
Choosing the Olympus OM-D E-M1X make no sense in my book except if you intend to use it with larger or longer lenses, and be able to use some kind of handling assistance like a tripod or a monopod for example. So as a sport or nature camera, yes, the OM-D E-M1X can fit the bill but for a mobile photographer it can be also a big weighty burden...
(First Published in April 2017, Revised in May 2019)