One Picture, One photographer, One experience Series
We always speak of the black and white by meaning you can observe the light distribution through the black-gray-white’s nuances on the photograph. I remember during the analog-film era how some eminent photographic specialists were claiming it was important to get a complete representation of these nuances. True or not that "rule" has been disregarded many times and examples are notorious. Can we stay only into the "darker side" of the subject and limit as much as possible the lighter references?
Atmosphere, emotions, perceptions are part of the feedback we resent when we are seeing a picture. And photography is still a visual art of interpretation of our reality. Even from dark there is always the expectation of the light at the end of the tunnel of life, just think about our own birth.
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