28 juillet 2023

Better, Best and Butter?



 In the last ten years or so, the photographic gear manufacturers of this planet have determined that their business have nothing to do with photography, at least to a certain extend as long as theirs photo devices are sufficiently performing for the intended users and their ambassadors, i.e. many so-call “independent” photo gear reviewers. And we must agree that they have succeeded in this by a very large marge (of profit).

The popularity of the phone instant self portrait and its personal promoting efficiency have cut the necessity to offer by them cheap cameras, lenses and accessories. Now, many aspiring photographers as for more experimented ones are concentrate their effort to get the best photographic equipment available on the market. The appeal is so strong that the appreciation in regard of the photographer is mainly oriented to his/her gear acquisition instead about his/her imaging creative results.


I am not surprise because doing interesting and original photos with impact is still a rather difficult artistic exercice. Better blame the material instead of the author! This is where in-camera algorithms, automated post-editing and artificial intelligence (AI) are taking the lead for the modern photo takers (Please notice the use of the new definition here 😉). After all, those pretending visual artist are the butter (or the "cream") of the photographic gear industry.

And now we are seing more and more a new you tubers category, the “Why I left this gear manufacturer and its system”. I dont want to contradict all this very knowledge web people by saying that they are not if they have taken the time and the effort to discover and experiment all the fabulous potential of most of the actual digital camera models (and I can assure that this potential of creativity is huge, very diversified and efficient if you take time to learn it). No now people are speaking of ergonomics and interfaces that have to satisfy their own personal taste without any learning curve. Let’s say that is far from the times I have learned photography during the analog era (1970-1980 in my case).

If you kindly ask me what I think specifically of one camera model*, the answer will be invariably that it is a marvelous tool to explore and try. And certainly, there are fabulous for almost all of them.

So what is the best camera we can recommend: the one you will love to have, to cherish, to play with, to take with you and do photography and that you can rely for all your visual adventures.

đŸ“· ____________________________________________ đŸ“·

* But you already know that I have an absolute love for compact cameras!

Photos-illustrations Daniel M 

20 juillet 2023

Upgrade ourselves with a photographic firmware of your mind!




 Upgrading a digital camera via a firmware is now part of a photographer routine. Yes, we are always looking to better our technical base of taking picture, as for to be able to cope with more difficult lighting contexts. Many times we don't really understand which technical challenges that are involved in the process and more important what technical compromises and par extension which creative bias will be applied in the complete process. We look at a pleasant result but often knowing that we aren't really in full control of it (which is also ok).

In some ways we may need a "neural" upgrade to better understand the hardware and software limits of our marvelous photographic tool, the digital camera. How many of us have even taken time to read and learn from their camera operating manual (I am the first to blame for this). It is true that those last have became more and more lengthly complete to apprehend and I don't blame you to get annoyed by their obvious absence of a more friendly approach that should be illustrated by good examples of pictures. Let say they are for the most of them boring to say the least. Considering all the "ambassadors" at their disposal, the manufacturers should do better by far!


But on the rear side of the viewfinder, there is the photographer her/himself that may need to be upgraded as well. Doing photography is shorting a lot more than picture snapping with a smartphone as we may seen today. It is about "controlling" many if not all the photographic aspects of a picture from the preparation, the decisive moment and the edition of the final result to share. And this why we choose to own and work with a real and firstly designed device for photography.

The world surrounding us is a lot more than only a 2D virtual picture shown on a screen representation. It is a intensive dynamic light universe in perpetual motion that can be difficult to apprehend even partially. So, our first photographic "task" is surely observing its complexity and try to understand its constant evolution. That way we refine our "photographic" mind to retain and store many diverse imaging subjects and contexts that will be references for future experimentations. We explore first instead of blindly picking without any creative premeditation.

Interrogating ourselves is another important part of the creative process of any artistic approach (as for many other approaches in life) because curiosity has to be fulfilled with some all sorts of answers that will get us further into the learning process of life. We are still into our humanity infancy or may be a bit further into an ado crisis thinking we know everything based on a fragmentary experience level in life. Be modest but having great expectation is OK and better more if we feel confidence in our (personal) star. Doing photography is more than only repeating ourself as it first seems but it is also going a bit further.


Master the basic of photography
can essentially definite by the light, the composition and the decisive moment. All those element can be analyze through our visual perception and mind deduction. Yes the technical translation of these ones depend of the hardware/software we are using to record them but the initial and inspired impulsion is done before the final clicking. We can compare cameras and lenses as photographic tools as for painters brushes, palettes and colors that will be selected, adjusted and applied on the virtual canvas of the image sensor. Each elements will impact the final result and transmit the emotions that will generate the picture share to others.

Introspect your work and share your pictures. That are may be the most evaluating part of your creative process. Looking to what you have done on a critical positive point of view will motivate you to extend your photographic search and try further experimentations. Sharing your pictures can help you to understand your personal place into the photographic universe which can be far different from the usual stereotype proposed by the pseudo traditional approach in art.

Updating ourselves is a never-ending quest to push ourselves to higher levels of creative expression and might be one of the best way to appreciate our photographic passion. 

Photos Daniel M: Olympus OM-D E-M10 Mark III / Lumix G 25mm F1.7 ASPH; Olympus Pen-F / M.Zuiko 14-42mm R;  Panasonic Lumix GX85 / Lumix G Vario 35-100mm F4-5.6 ASPH OIS

14 juillet 2023

A bigger lens with a smaller camera body: Is it really an odd mix?



 We use to recommend an equally distributed weight between the camera body and its attached optic. It is a fair preoccupation especially when we are speaking about the smaller size compact cameras. After all we are looking for the less intrusive photographic gear to bring with us for doing our photo taking sessions. Furthermore, we don't want to generate too much fatigue when those sessions are prolonged or when we are moving a lot like on a travel or for street photography. All this is very legitimate but what happens when we decide to opt for a longer focal prime or zoom lens? It is here that some controversies start to occur.

The advises may differ slightly but most of them will suggest you to avoid using small cameras with bigger optics. In fact, it is how you are intending to hand hold in practice your photographic gear that is matter more than anything else. With bigger or heavier lenses, there is no choice than put your left hand in contribution as an essential (and as the most important) support of the optic. At this point, your right hand will serve mainly if not entirely as a camera controller. That way, you will not over stress the lens/camera mount and make sure that your shutter releases will stay positive and smooth. Moreover putting your left elbow on your chest or on any additional support surface will also help to get a maximum stabilization for your camera-lens combination and will preserve of too much holding fatigue.


You might find that using a compact small camera combined with a bigger lens is more fun to do so in comparison of the big camera-big optic one. For example with the Fujifilm X-mount system in some photo taking contexts, I will prefer to couple my older but beloved Fujinon XF55-200mm F3.5-4.8 R LM OIS zoom lens with a diminutive Fujifilm X-E3 or X-S10 cameras. It help a lot to concentrate myself on the creative part of the photo project, or it will ease a lot to bring the camera combo to an improvised photo outing. To free more your hand, you can put the camera/lens kit inside a small shoulder-messenger gadget bag instead using the classic camera shoulder strap. In privileging your comfort you simply enhance the pleasure of discovering your subject in its context.

Avoiding frequent changes of optics may be another key of photographic success that will dependent more on pre-visualization than improvisation. If you learn to apprehend your lens, your chance of photo success will improve. You will feel in control of your creative effort.

Even if there is no specific "rules" about the photo gear to select and how to use it, some long said repetitive ideas are not always the most interesting ones for the photographers her/himself. Trying something different (that is breaking the usual rule) may a key point to start a new interest to produce pictures and share them. After all, using a compact camera with a bigger lens may not be an anathema.😉

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Photo-illustration & Photo Daniel M: Fujifilm X-H1 / XF 18-55mm R LM OIS; Fujifilm X-S10 / XF 55-200mm R LM OIS


12 juillet 2023

Roof Pics and Picks

 




Photos Daniel M: Fujifilm X-S10 / Fujinon XF 18-55mm & XF 55-200mm LM OIS

05 juillet 2023

What is compactness?



 When we speak about the science or the art of creating a compact device of any kind (phone, camera, bag, tent, car), you can be sure to ignite a debate about the criteria to select and use to do so. Sure, compactness is often associate to be small and functional. Sometimes compact designs are cleverly built with a lot of surprising features like our modern cellular phones that are now more miniature mobile computers than simply an audio communication device.

Compactness is also often referred when speaking about the traditionally oriented photo gear. In fact everything may seem to be compact depending the way you are analyze it at first. For example some medium format image sensor camera models (I am thinking about the Hasselblad X1/2D series in particular) have been introduced as compact and handy cameras. By opposite we cannot say the same for some others smaller image sensor format camera models such as the Nikon Z 9 for example.

I love compact cameras since my introduction to analog photography, lets say a few years or decades ago! I can recall using a Fujifilm Fujica GS645 which was at that time a wonderful medium 6 X 4,5cm film format camera that was folding down to fit a larger coat pocket. Although it was a fragile camera in terms of our actual criteria, the Fujica GS645 was delivering outstanding high quality pictures. In one word, compact cameras aren't bulky and heavy photo devices by definition. So, what will be a good comparison between a "full" size camera and a compact one?


To give an example among many others, I have put side by side two Fujifilm X-Mount series models (see here ): the Pro X-H1 and the diminutive X-S10 assuming that these two will deliver similar picture results and that both models have same basic functionalities especially in regard of internal image sensor stabilization system (IBIS). In terms of dimensions and weight the contrast between the two Fuji cameras is simply spectacular. As a Pro oriented model, the X-H1 is more than 40% heavier than the X-S10 and the X-H1 overall dimensions surpass the latter in height, width and depth. Facing your subject, the Fujifilm X-H1 is a much intimidating camera and further more when you combine it with a Fujinon Pro optic.

On the other side, the Fujifilm X-S10 is a much lighter package, much less demanding to handhold for longer periods of time and less more intrusive for your subject. It is a camera you like to bring with you for travel, urban or casual photography sessions. Coupled with a smaller lens or zoom lens, it is a joy to manipulate and take pictures with its simplified interface and very competent automated modes. Its only real annoyance is the fact that the X-S10 is not a weather resistant (WR) camera model compare to the pro X-H1 which is on its part a true photographic tank.

There will always a debate on how we can qualify something as a compact think. It can be related to physical characteristics or cultural perceptions or to the inner functionalities of the device itself that is replacing larger ones. Today's compact cameras (with the exclusion of the mobil phone category) are becoming rarer in part because photographic gear is now a very niche market (but still with hundreds of thousands users😉). Camera manufacturers are limiting their offer to some specific models such as the X-E, X-S and X-T(2 digits) series in the case of Fujifilm. And compact cameras are now comparatively from the past more expensive to get. But at the end the demand for compact devices had never been stronger than it is at this very moment. People want to be free in their mobility and bring with them less material things than ever. This is a tendency that even the best photo gear manufacturer cannot ignore.

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P.s. Notes

If you ask me which of the Fujifilm X-H1 or the Fujifilm X-S10 model is getting my preference, the correct answer is that I really cannot tell. Partly because they are so different camera models that comparisons seem to be irreconcilable. In brief I love to work equally with them. As an ex-professional photographer, the Fuji X-H1 is clearly a superior made (WR) product that shows in every ways like its magnificent electronic viewfinder (EVF), its sturdy interface (dials, joystick, D-pad, push buttons, etc) and its high levels features such as its two-memory cards port, its optional (two power pack) vertical grip.

On the other front, the Fujifilm X-S10 is like a mini simplified version of the X-H1. It is light, small, discrete but competent and sufficiently reactive for a casual photographer like me that doesn't want to always use protuberant photo gear. Moreover, the two Fuji models are sharing the same battery packs (NP-W126S), the obvious same lens mount, the same flash accessories and are using the same memory cards formats (SD). These similitudes are limiting your gear investments and give a further versatility on the spot.

The Fujifilm X-H1 and X-S10 have been already replaced by upgrading ones, X-H2 and X-S20. So it is possible to reproduce the previous duo but at a significant higher selling price level than it use to be (not far from 30% more for the X-S20 and from 40% for the pro X-H2), thanks to the general inflation tendency and the production higher costs. For those who are still interested to get a Fujifilm X-H1 or/and a Fujifilm X-S10, there is always the used market alternative where many of these good products have low shutter count.

Photos-illustrations Daniel M