Fujifilm X-H1 / XF 50mm f2 R WR |
* Thanks to the digital camera designs from Fujifilm that mimic the film (analog) ancestors.
Yes, that debate seems to rage over the web photo planet for years and since the digital cameras and their vast inherent electronic possibilities have substituted their film-analog counterparts. Not new but always so actual. In fact, all the basics in photography remain the same (although sometimes translated differently technically) but the digital access to more parameters like film simulations, color and exposure sciences that were almost impossible to think when we were using traditional films cameras, have completely changed the photographic landscape.
Fujifilm X-T20 / XF 55-200mm f3.5-4.8 R LM OIS |
Even if we appreciated the well technically mastered pictures of all kind, it stays that the choice of the subject, its composition and its picture taking moment are still the very fundamentals of success in photography. And imperfections could be in a way part of the originality of every photo interpretation. Personal sophistication is also a manner of our mind (previsualize) image selection.
You may want to better control some exposure parameters for specific photographic purposes. The most noticeable ones may be the shutter speed for freezing or not the subject movement(s), and the lens aperture, for reducing or increasing the deep of field (the subject in the clear focus distance range). Experimenting and studying the different results you will obtain can help you to further push your artistic creativity and by extension your own visual originality.
In some extend, as you get more familiar to play with these parameters, you will develop some photo setting reflexes that will increase your working efficiency and also allow you to get easier the picture results you are looking for. You may find that every single subject may ask you a different technical approach and it is up to you to create different setting formulas that will apply accordingly. For example, action subject in movement could ask you the use of an higher shutter speed to freeze them or, on the contrary, a slower one to reproduce the impression of this mobility or even a moderate shutter speed combine with a panning of the central subject to produce its blurred background. So, every personal requirement may ask a specific formula.
Fujifilm X-H1 / XF 55-200mm f3.5-4.8 R LM OIS |
The deep of field debate is another never ending discussion. On the opposite side of the usual argumentation, blurring a subject can also develop a specific interest of it. The travelling of the observer image eyesight can create a complex interest about a two-dimensional picture. Tack subject sharpness is not always the perfect solution for a subject or a scene. Impacts of second level or third level can enhance the total photo experience. Even with a modest maximum aperture lens, you can use the deep of field phenomena creatively especially for short distance subjects.
I cannot more emphasis how the choice and the interaction with your photographic subject is paramount into your visual artistic picture expression and also for the image composition and the picture taking moment you are privileging. Those important points can surpass the only technical requirements of many in doing a more interesting content. Yes, the digital photo cameras are wonderful tool, but we have to develop also our personal vision of this world that must be translated using these devices. Persistent et repetitive photo experiences are a good way to fulfill that always renewing task.
Fujifilm X-H1 / XF 55-200mm f3.5-4.8 R LM OIS |
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