Photo industry have taken a different direction privileging post-creativitiy through graphic hardware and software equipment instead of the reality interpretation approach of the last century. You can call it a kind of photo painting expressionist with its own esthetic rules.
But as a more classical photo enthusiasm I am not really found of this figurative trend. I think photographs in a large view have a duty of reporting direct reality even considering that it always represent in fact our own aspect of it.
But enough philosophy for today and let speaking "camera" (and lenses) as beautiful artistic tool. What really hook me with the Olympus M4/3 system are their selection of prime lenses which are in essence the eyes of the photograph. Even some of their zoom lenses are interesting.
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| The Olympus 45mm F1.8 is the first prime lens that have caught my attention because of the combination of the maximum aperture and the very small size and... selling price. Picture like this one taken with the Pen EP-3convince me to invest more in the M4/3 system. |
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| The Olympus color rendering was another strong factor to invest more in the system. This "River Scape" was capture with the Olympus 14-150mm zoom lens at 14mm. |
At first I was really seduced by the charm of the Olympus Pen series and I have selected their EP-3 model with the EVF 2. I do like working with the camera but the external viewfinder (technically excellent) was too much protuberant from the camera itself.
Eventually the Pen option was not the final answer and with the coming of the new OM-D E-M5 my though have taken a new direction.
What I am really appreciate regarding the E-M5 is the size of the camera by itself which remind me the original 35mm OM series. And also the fact that it is a real system camera with a lot of funny combination as for example with the grip. As a direct consequence, the camera can follow me everyday, everywhere for every purpose. I can use it (as intended) or... forget it if I am not in a photographic mood. It does not bother me to bring the little package.
During my last Cuban trip I have appreciated to bring the kit combination E-M5 / 12-50mm without asking myself if the camera/lens will sustain the possible adverse condition (water, sand, etc) and picture results for a zoom lens were up to the level.
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| Modern Cuban architecture (around 1980) with the M.12-50mm lens. |
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| Cuban Interior Court, Cayo Largo Pelicano |
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| Casual Abstraction. E-M5 / 12-50mm at 50mm |
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| Winter rainy day at the bus window. E-M5 / 12-50mm |
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| Ice over the river. E-M5 / Zuiko OM 200mm F4 MC |
